The Itzamna Collective
Exceptional atmosphere & evocative spatial moods that drift in sands of time that hum their forgotten songs of New Mexico. Descending into submerged environments, to explore hidden mazes of underground tunnels beneath high desert .
From the opening shamanic rattles & drum hits to the darker passages and variations, there is space, depth, & a truly spectacular paean to the lost fragments of memories, an abstract art filled with a mystical high strangeness, dreaming ancient locations<3
Stuart McDonald
fantastic album by Brian & John, beautiful soundscape drones which let you drift away. again music from Aperus (Brian) delivers for me. favourite track so far today is Subterrain
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Compact Disc (CD) + Digital Album
Limited edition CD packaged in a tin with 3 double sided art prints, band photo and album credits printed on recycled paper. This edition is limited to 50 hand numbered copies.
Includes unlimited streaming of Sepiadrone
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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edition of 50
$18USDor more
Compact Disc (CD) + Digital Album
Europack version packaged in a 5 x 6.25" gatefold sleeve with velum envelope, three double sided art cards and liner notes printed on heavy card stock paper. This alternate format reduces the cost of shipping outside of the U.S. Available in all regions.
Includes unlimited streaming of Sepiadrone
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
"Since the beginning of time, the universe has vibrated and sent out a key tone, an incomprehensible growling... Everything that exists is filled with a constant hum... Even the first thing a human being ever listens to is a drone... Static undertones and tone clusters whose harmony or rhythm changes only slightly … stripped of everything that sets music apart from pure noise… [Vibrating their] way into the listener’s subconscious ... drones are the voice of the universe.”
SIEVERS, F. (2018). The Voice of the Universe - A Brief History of Drone.
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Like a collection of old photos, most of this material languished in boxes for years while partner John Phipps gradually moved west to Portland and I moved southwest to Santa Fe. We tried picking up the pieces numerous times but lost momentum as soon as a recording session came to an end or we said goodbye over the phone. Ultimately, the distance proved too great and Remanence slowly drifted apart, leaving 'Sepiadrone' in limbo.
It wasn't for a lack of trying. There were countless versions of songs, edits, overdubs and mastering attempts to prove otherwise. In 2022, in a concerted effort to find closure, I made another attempt to complete the project, painstakingly reassembling and remixing it through outboard gear to add more color and dimension. The initial fear that the album would sound disjointed and incomplete disappeared as the material finally showed itself and came into focus. Now, 'Sepiadrone' connects a series of scattered points in an almost straight line, creating shifting tones that exist somewhere outside of time.
We decided to call the album 'Sepiadrone' because most of these songs are based on drones. But also because the meaning created by joining two unrelated words describes the music perfectly. This is the sound of songs colored by time and the unexpected beauty found in long pauses. All things come into being, change with the elements and eventually return to the source. 'Sepiadrone' serves as a fitting epilogue to the music we began creating so many years ago. Hopefully, you'll agree that this work adds a vital chapter to the Remanence discography despite the rust found on the surface.
Brian McWilliams ~ January 2023
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credits
released March 3, 2023
REMANENCE is
BRIAN McWILLIAMS ensoniq asr10, yamaha an1x, roland juno 106, dsi prophet 8, dsi ob6, camel audio alchemy, drums, rattles, metal plates, found objects, shortwave radio, field recordings, sample manipulation
JOHN PHIPPS ensoniq asr88, red sound darkstar xp2, piano, camel audio alchemy, metal plates, found objects, shortwave radio, field recordings, sample manipulation
All songs written and recorded by Remanence in Michigan, Iowa, Oregon and New Mexico except "Sentinel Species Reprise" by Brian McWilliams. Additional synth textures on “Sentinel Species” by Jan Roos. Audio archaeology, reprocessing and album sequencing by Brian McWilliams. Mastered by Robin Storey. Artwork and photography by Brian McWilliams.
Thank you to Karla, Robin, Ivan, Jason, Jan, Matthew and Jim for feedback and support during the making of this album.
Aperus is an ambient, electronic musician and photographer living in the high desert of northern New Mexico. With each
recording he filters natural and technological sound through a surf of electronics, noise and field recordings, creating large-scale, echoing soundscapes that hear the world as if from a vast distance. He is also known for his work with the ambient / electronic duo Remanence....more
Right from the first sound you hear, to the last note - this album will transport you to a natural place. I cannot put into words how this album has been such a huge help. It’s like a friend now - like someone who is always there. An amazing album that everyone should own. Thanks so much, Robert. darkstarr666
In the music of Paul Jordan, digitally manipulated field recordings become striking electronic songs that feel eerie and surreal. Bandcamp New & Notable Mar 7, 2020